MSI Press Blog

                                                                                                                    ( photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about choosing a publisher. Of course, you do choose a publisher, but also a publisher chooses you. It is a two-way affair. So, let's take each approach separately. How do you choose a publisher? Decide what you are looking for in a publisher. Do you want a large publisher with big pockets who might be able to get your book on the NYT best seller list, give you a large advance, or get you attention from a national television show? (You better have one whale of

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses prolific authors as well as authors working on their second book. Who should publish subsequent books by an author -- the publisher of the first book or another publisher? This is not always a simple question, but there are simple ways to make a decision about where your next book gets submitted. Consider the following: What does your contract with your publisher say? Some publishers require authors give them the right of first refusal for any subsequent books. This is more especially true for novels than for nonfiction books. What your contract says you are beholden to d

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic looks at how editors view incoming submissions from authors and what you need to do to get past the first cut. In my experience, very few first-time authors do what is needed (or know what it is they need to do, or, in some cases, want to do it), and, hence, only about 10% make it past our first cut at MSI Press LLC.  What authors who want to be taken seriously need to is quite simple and, at least for us, quite clear. Believe it or not, some authors miss the boat on all these not-so-hard things: Individualize the submission. Like many publishers. we accept simultaneous submissions. Duplicate submissions

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses what happens to a book after an author dies. We have certainly had a number of authors, alas, die over the years. Each death has special circumstances, and generally each case needs a lawyer's involvement. The following examples of situations we have dealt with are simple examples of real life (and death) in action and do not set us up as having any kind of legal expertise; rather, we seek that expertise when needed. The one thing that all authors who die have in common is that copyright continues after death; it does not die with them. The question then falls to heirs and publishers as to

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses book scams. Unfortunately, new authors, especially those who are independently minded or who despair of ever finding a publisher, are ripe for the picking by scammers.  Some of the scams out there include: Publishing companies that are scams or rip-offs They often "steal" your work; they may publish it, but they do not pay you. Check out the publisher's history of paying royalties . They contact you, offering to publish your already published book along with some kind of award program or other enticement. When MSI Press LLC authors forward me letters they get from such scammers, I

  It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  Today's post addresses the topic of royalties. I suppose that topic was conditioned by the fact that the first quarter of the year is when MSI Press calculates royalties for the past year and gets ready to pay them out to authors. Of course, royalty issues should have been sorted out before a contract was signed, but if one is still pending, and for the future, perhaps some of the information here will help. Kinds of Royalties Royalties can be calculated on list or net. Royalties calculated on list are pretty easy to figure. It is generally a percentage of the selling price of the book, regardless of costs encountered in producing and ma

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about contracts--bad ones. We will state upfront that contracts are filled with legal terms that are often difficult for authors to understand. That legal information is important, critical, required. Also important, critical, required is that authors understand what they sign, reading the proposed contract as carefully as they would read any other document. AND RUN IT PAST AN INTELLECTUAL PROPERTY RIGHTS LAWYER. OK, let's take a look at one can go wrong with a contract. Rights and copyrights (see our previous blog POST on this topic for more information): Never sign a contr

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic popped up because I received three book proposals that were very easy and quick to turn down. Although perhaps some editors might not have responded at all, I do like to get back to authors who submit proposals. Often, if a book is almost viable, just needs some tweaking, I might give some suggestions for improvement. (Not all authors take these suggestions kindly, but in those cases, I consider nasty responses evidence that I made the right decision in rejecting the manuscript; I would not want to work with such an author.) In today's cases, I was presented with proposals for novels. That is an easy

    (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is  about taking a self-published book to a traditional publisher in hopes of getting a contract.  At least a couple of times a month, a self-published author approaches MSI Press with a proposal to republish his or her self-published book. They all seem to think that their  poorly selling self-published book would soar to best-seller status if only a traditional publisher would take it on or that their self-published book with modest sales would not thrill a publisher by how many sales had been made or had many polite reviews simply re-stated the content and refrained from sayin