MSI Press Blog

It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about publicists. Do you need one?  What can you expect from one? What should you not expect from one? How should you go about finding one?  So, let's take each question separately. Do you need a publicist? Is your book selling?  Yes. You probably do not need a publicist though in some cases a publicist can help your book sell more copies. No. Consider hiring a publicist. Is this your first book? Yes. If you have a mentor or a strong editor to guide you, you may not need a publicist. No, and feel lost about how to go about getting your book noticed. Consider hiring a publicist. Do you have a strong

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about the publication process itself. You have a manuscript in hand, now what? There are several stages. So, let's take each stage separately. Stage One. Completion of the Manuscript You have finished writing the manuscript and have carefully proofread it, but you are NOT ready to move to Stage Two. There are a few things you need to do first. If not done, this is the stage that often dooms a manuscript never to move to Stage Two and on into becoming a book. You proofread, right? For what did you proofread? Spelling? Ran it through the spellchecker? Certain your own eyes wil

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about contests and competitions. Should you participate? Is the effort (and, depending upon competition, cost) worth it. How do you decide which contests to enter? What are the positives and negatives of entering a competition? So, let's take each question separately. Should you participate; is it worth it? There is often a financial cost, as well as a time cost and a psychological-emotional cost associated with contests and competitions. So, the first question to answer is whether you have the money, time, and temperament to enter your book into competitions. (It is sort of like entering your bab

                                                                                                                    ( photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about choosing a publisher. Of course, you do choose a publisher, but also a publisher chooses you. It is a two-way affair. So, let's take each approach separately. How do you choose a publisher? Decide what you are looking for in a publisher. Do you want a large publisher with big pockets who might be able to get your book on the NYT best seller list, give you a large advance, or get you attention from a national television show? (You better have one whale of

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about reviews. How do you get reviews?  How should you interpret them? How should you handle bad reviews? So, let's take each question separately. How do you get reviews? There are professional reviewers. Some will review before the book is published -- they want a 3-4 month heads-up (i.e. book in hand, with a later release date). These are highly desirable. Examples are Library Journal , School Library Journal , Foreword Reviews (the free version), and Publishers Weekly . All of them accept submissions sent directly to them. (There are also otherLs; Google them.) You can put your book up on Net

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about whether to seek traditional publication, self-publish, or go the hybrid route. Each of these approaches to publications has advantages and disadvantages. - Self-publish (you do everything yourself):      Pro: You can proceed immediately. You have full control over all content and design. You get all the net income.     Con: You have full control over all content and design--meaning, the book is only as good as your own professional skills (or, you can pay for professional services that a traditional publisher would provide for free). You don't know what you don't know. It will take much

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about rejections. How should you respond to them? To answer the obvious question first, yes, ethically, you should tell publishers that you are making a multiple submission. Most publishers understand that authors cannot wait weeks for one publisher after another to react to their books; therefore, multiple submissions, especially for a cutting-edge book or one that might become dated, is often the most pragmatic way to go. And, of course, once a publisher accepts your book, you should immediately let all other editors know that you are withdrawing the book from their consideration. That said, there a

It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about multiple submissions. Some publishers accept; some do not. Are you required to tell? What are the advantages and disadvantages of multiple submissions? To answer the obvious question first, yes, ethically, you should tell publishers that you are making a multiple submission. Most publishers understand that authors cannot wait weeks for one publisher after another to react to their books; therefore, multiple submissions, especially for a cutting-edge book or one that might become dated, is often the most pragmatic way to go. And, of course, once a publisher accepts your book, you should immediately

  (photo by Frank Perez It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about an important understanding that many new authors do not have and that can make a huge difference in whether or not their book gets accepted--the proposal. Knowing what to put into a proposal is very important. Taking the time to write a targeted proposal will pay off in dividends. Using a one-size-fits-all proposal will not impress most acquisitions editors, even if that proposal is prepared by a consultant or specialist or sold to you by some company purporting to be very successful at getting proposals accepted by publishers. A standardized proposal will generally work ag

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about an important understanding that many new authors do not have and that can make a huge difference in the long-term value of their book to them. What is the difference between copyright and rights? Sell the wrong thing, and you lose control over your book. Here is the difference and the importance and implications: - Copyright is what protects your book as being your work and your legal property. Selling the copyright (never do that--if a publisher asks to purchase copyright, run in the other direction) takes your work away from your permanently. While you may have written i

(photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is inflated claims from self-published authors looking for a "I have published traditional contract. "I have published three best-selling books" is a line on a recent proposal that came in to MSI Press. Such a claim ("best selling") is almost never warranted, in the experience at our press.  Here is why making such a claim can undermine your chance of being published. - Such claims are easily checked out; numbers are available from a variety of sources; if found to b e inflated, than the honest--or at least the ability of the author to see and accept reality-

(photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is inspired by a proposal I received just yesterday, in which the would-be-published author wrote, "Sorry that the spelling and grammar may be a bit off; I know your great staff of editors can take care of that." Of course, that book was rejected without even looking at it. Here is why: - Authors are word people. They are communicating with their readers, and they need to be able follow the basic conventions through which their readers understand. Errors in punctuation, grammar, and spelling can change meaning or create confusion as to meaning.  - The implication is that th