MSI Press Blog

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is what happens when an author dies.  I just returned from my best friend's funeral. I know that dying is a reality. (Lost my husband last year, two grandchildren the previous two years; definitely, a sad reality.) Really, though, what happens when an author dies from the legal and technical points of view? Well, there are a number of issues that have to be managed. Some things are automatic; others are required by law; yet others depend upon surviving partnerships of various sorts (including marriage, children, and the like). We have had several authors die, alas, and we always post an " in mem

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses what happens to a book after an author dies. We have certainly had a number of authors, alas, die over the years. Each death has special circumstances, and generally each case needs a lawyer's involvement. The following examples of situations we have dealt with are simple examples of real life (and death) in action and do not set us up as having any kind of legal expertise; rather, we seek that expertise when needed. The one thing that all authors who die have in common is that copyright continues after death; it does not die with them. The question then falls to heirs and publishers as to

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses contracts -- what is a good one, what is a bad one, and what do the specialized terms actually mean? I will answer these questions in a series of posts, using, to start, our contracts, and will go through them paragraph by paragraph. Then, I will look at some other publishers' contracts for differing content. Last week we looked at the introductory paragraphs, mostly general information, including who is the author, what is the title, what rights are being offered. Paragraph 1 states what rights you are offering -- specifically and in detail. The next three sections spell out related under

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about an important understanding that many new authors do not have and that can make a huge difference in the long-term value of their book to them. What is the difference between copyright and rights? Sell the wrong thing, and you lose control over your book. Here is the difference and the importance and implications: - Copyright is what protects your book as being your work and your legal property. Selling the copyright (never do that--if a publisher asks to purchase copyright, run in the other direction) takes your work away from your permanently. While you may have written i