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A Publisher's Conversation with Authors: Among the Reasons for Turning Down a Book -- Arrogance

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  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic shares an important reason for a book being turned down by an acquisitions editor. While there are almost as many reasons for turning down a manuscript as there are manuscripts submitted, there is one reason that has nothing (or very little) to do with the manusciprt. It has to do with the author, and it comes across in the proposal, the cover letter, or the enote (if emailed), or in all of them. That trait is arrogance, and it will turn off an editor before the editor even reads the manuscript. After all, a publisher has to work with an author, and if they dynamics are poor, it wi

A Publisher's Conversation with Authors: How to (Not) Lose a Contract with a Publisher

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It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  Today's topic shares some real-life cases (book titles and author names changed, of course) of authors and would-be published authors lost contracts, from before being offered one to even after a book was published. They can serve as warnings of what not to do and, in converse, what to do in trying to secure -- and keep -- a publishing contract . Before being offered a contract (case: Developing School Discipline by Gordan Cruikshank): Arrogance. This attitude is perhaps the primary turn-off to an author being offered a contract even when the publisher is otherwise even very interested in the book. Remember, publisher and author working t

A Publisher's Conversation with Authors: Starry Eyes

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  photo by Frank Perez It is Tuesday. Time to talk turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Yesterday, I received a book proposal in the mail. Well, a proposal of sorts. The author had not his homework; he thought he was writing to a literary agent! Without any more prefacing, let me quote word-for-honest-by-gosh word the first paragraph: "I know that you have a set fee for helping me to get this manuscript to any one of the many interested book publisher, and that the most standard fees for your work ranges between10% and 15% which is fine with me. However, I would like to make a suggestion for you to present to any of them you may find that are willing to take on these works; this opt