MSI Press Blog

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about the publication process itself. You have a manuscript in hand, now what? There are several stages. So, let's take each stage separately. Stage One. Completion of the Manuscript You have finished writing the manuscript and have carefully proofread it, but you are NOT ready to move to Stage Two. There are a few things you need to do first. If not done, this is the stage that often dooms a manuscript never to move to Stage Two and on into becoming a book. You proofread, right? For what did you proofread? Spelling? Ran it through the spellchecker? Certain your own eyes wil

photo by Frank Perez It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about how you get an acquisition editor to consider your proposal serious. Most have only a few minutes to look at each cover letter/proposal. Will yours get more than a curosry glance?  So, let's look at each item in an authorial contact. The proposal If a publisher has guidelines for the proposal, follow them. Don't assume you know better than the publisher what the publisher needs or should publish. Our submission guidelines  are at our website.  All the categories are important to us (and to any publisher who provides guidelines). If some are missing, we will ask the aut

    It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  This week follows an email conversation with a young lady who had a mildly interesting book, but it needed some work and she had no platform. When I suggested that she might want to get some help first from a developmental editor, she balked. When I stated that without a platform and with no name recognition, she would not be a candidate for traditional publication (i.e. with us), she turned hostile stated in a huff something along the lines like, "Well, something just has to change!" No, sweetie, it is not going to change (I did not really say that to her; in fact, I did not respond at all.) Many p ublishers are reluctant to tak

    This week, we   look at look at one of the most difficult tasks an author has, yet one that they belief is easy. Probably most authors know what they want to call their book before they even write it. Often, when an author approaches us with a book title, we feel compelled to discuss other options with the author. Here are some of the reasons (problems). Title Duplicative The title already exists. This is quite problematic when one of the books is better known. The new book will likely be overlooked. It is just a copy cat. It is very problematic when there are multiple books by the same title. One proposed title that had this problem was the book now called One Simple Text... The original proposal was for From Tragedy to Triumph . Take a gander for that title in Amazon -- many titles. How would the first-time author's book stand out among them? It likely would not. And if someone were looking for the author's book, that person would have to parse through a number of books

  (photo by Frank Perez It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about an important understanding that many new authors do not have and that can make a huge difference in whether or not their book gets accepted--the proposal. Knowing what to put into a proposal is very important. Taking the time to write a targeted proposal will pay off in dividends. Using a one-size-fits-all proposal will not impress most acquisitions editors, even if that proposal is prepared by a consultant or specialist or sold to you by some company purporting to be very successful at getting proposals accepted by publishers. A standardized proposal will generally work ag

It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic asks if connections matter. Well, of course, they do. But how do they fit in an author's life and success?  While one might wish that a formal proposal was a matter of seeking publication on a level playing field, unfortunately getting someone to look at your proposal often means having a contact at a publishing house. From the other side, publishers often look for recommendations from authors they have already published and trust. Closed circle, right? Well, maybe not. Here are says to make contact with publishers and build relationships: There is the traditional way of making contact--through a liter