MSI Press Blog

  excerpt from Joshuanism   by Tosto -  The post/Christian God A profound moment in my journey to seek and know God took place in an art gallery. I was in Seattle, visiting a friend of mine. I had some free time, and John had some free time, so I decided to fly out and kick it in the Emerald City for a few days. This was during the height of my Christian experience when I was still green behind the ears and miles away from questioning any of the marvelous things I believed. In fact, I was working at a church at the time, directing the music and worship ministry. The trip west was a welcome diversion. John and I were strolling through the gallery, surveying the local talent, when a curious painting caught my attention. John went over to ask the docent something, and I stood in front of the unusual painting, studying it deeply. The painting, you see, was titled God . But the painting itself was quite simple. The artist only used two colors: a purple sphere on a black background. That was

  Excerpt from  The Subversive Utopia   by Yasir Sakr - Preface It’s been 35 years since, as an undergraduate student, I first toured the new Jewish Quarter in the Old City of Jerusalem. As I walked its streets, observing its new architecture and urban space, the Quarter simultaneously attracted and alienated, impressing upon me a mysterious schizophrenic perception. For many years I was unable to explain this contradictory experience. Little did I know then that 10 years later, in 1988, my new job as an archivist in the Louis Kahn Collection at the University of Pennsylvania would yield the clues I needed to understand the Quarter’s ambiguous allure. I could not have predicted then that I would one day articulate the experience of the Jewish Quarter in such a way that it would shape its perceptions by Israeli architects and scholars among others. It’s been almost 20 years since I finished my PHD dissertation at the School of Architecture, University of Pennsylvania. Following i

Carl frequently complained of being cold during the last two months of living/dying with cancer. Even with the heat at, for me an uncomfortable, 72 degrees (when we typically maintain it at a comfortable 66 degrees). Even when wearing a sweater or even something heavier and smothered in blankets. He was always complaining about being cold, and only after he died did I find out why -- and that he really was very cold because body temperature drops when someone is dying. We were constantly struggling over how to compromise on temperature. My son and I were extremely uncomfortable with the amount of heat Carl would set the thermostat for, as well as having concerns with the cost of the amount of gas needed to keep the house so hot (dying can create immense financial stress -- a topic Cancer Diary will address in the future).  In general, cold registered for me, having grown up in Maine and having spent a few winters in Siberia, pictured above, on a very different scale from the perceptio

Introduction This book examines the critical role of modern architecture and individual architects in shaping and transforming national Israeli symbols, especially in the Old City of Jerusalem. It is generally held that Israeli national symbols image Zionism as a pioneering movement awakening the Jewish nation from a stagnant Diaspora tradition and restoring to it its biblical origin in Palestine as a sovereign progressive Jewish state. The opening section of the book analyses pre-1967 designs by architects including Baehrwahld, Geddes, Mendelsohn, “Bauhaus” practitioners, and Rau, each of whom attempted to construct a National Jewish style in Palestine. The analysis reveals the elusiveness of the hard-sought national Jewish style, and the problems inherent to the search. The Diaspora’s memory was still too vivid to be discarded, especially in regard to the Old City of Jerusalem. Indeed, the “official” Zionist memory’s suppression of more than two thousand years of Jewish experi

  Perception Is Not Reality In nearly every liberal arts college offering psychology as a major, you can find an advanced course labeled something like “Sensation and Perception.” This course studies how the brain reads information sent to it from the five senses and how these data are recognized and converted into thoughts, sensations, images, sounds, and memories. To make the point that it is the brain that sees and hears and then interprets the information it receives, the instructor will often show a video of a famous video experiment [1] wherein a student is given a pair of glasses fitted with a prism in front of each eye, functionally inverting the image that is sent to the brain. Through the inverting prism glasses the world looks upside down. At first the student has difficulty knowing up and down, but then she successfully pours milk into a tea cup. After a day, the student walks about quite a bit more easily but still at times reaches up for something that is low down. How