MSI Press Blog

    (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is  about taking a self-published book to a traditional publisher in hopes of getting a contract.  At least a couple of times a month, a self-published author approaches MSI Press with a proposal to republish his or her self-published book. They all seem to think that their  poorly selling self-published book would soar to best-seller status if only a traditional publisher would take it on or that their self-published book with modest sales would not thrill a publisher by how many sales had been made or had many polite reviews simply re-stated the content and refr...

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about whether to seek traditional publication, self-publish, or go the hybrid route. Each of these approaches to publications has advantages and disadvantages. - Self-publish (you do everything yourself):      Pro: You can proceed immediately. You have full control over all content and design. You get all the net income.     Con: You have full control over all content and design--meaning, the book is only as good as your own professional skills (or, you can pay for professional services that a traditional publisher would provide for free). You don't know what you don't know. It wi...

    It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  This week follows an email conversation with a young lady who had a mildly interesting book, but it needed some work and she had no platform. When I suggested that she might want to get some help first from a developmental editor, she balked. When I stated that without a platform and with no name recognition, she would not be a candidate for traditional publication (i.e. with us), she turned hostile stated in a huff something along the lines like, "Well, something just has to change!" No, sweetie, it is not going to change (I did not really say that to her; in fact, I did not respond at all.) Many p ublishers are reluctant to tak...

  Because we work with first-time authors, we are exposed to some "interesting" ideas about how best to promote a book. Reality is often counterintuitive to assumption, perception, and imagination. Let's look, then, at reality. What new authors often expect from promotion--and why they are either unrealistic or undesirable or both:  Book tours from city to city; one new author asked if we would be flying her around the country on a private plane (honest to goodness, she really expected that although she was an unknown person with a first book). Clearly, city book tours do occur--but for people like Dog the Bounty Hunter, not for Joe Blow in Smalltown, America with no platform. The name of the author is what attracts people to these tours, not the title of the book.  Book tours like this -- and we have had some authors do them, usually with the help of a publicist -- are generally a dollar-losing proposition; however, if you can afford the cost, have other things to do in ...

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic looks at how editors view incoming submissions from authors and what you need to do to get past the first cut. In my experience, very few first-time authors do what is needed (or know what it is they need to do, or, in some cases, want to do it), and, hence, only about 10% make it past our first cut at MSI Press LLC.  What authors who want to be taken seriously need to is quite simple and, at least for us, quite clear. Believe it or not, some authors miss the boat on all these not-so-hard things: Individualize the submission. Like many publishers. we accept simultaneous submissions. Duplicate submission...

  It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  This week's topic is hybrid publication . Times are changing, and so is the publishing industry. As a publisher, I see it every day: the increasing challenges of traditional publication, the surge in self-publishing, and the rising role of hybrid publication as a practical and promising middle ground. Let’s talk about why hybrid publishing is no longer a fringe option—it’s a realistic and necessary path for many first-time authors. Why Traditional Publishing Is No Longer the Default Traditional publishing, once the gold standard, is becoming less viable—especially for debut authors. The cost of editing, design, printing, distribution,...