MSI Press Blog

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about assessing the hype for self-publishing. What should you believe and not believe? Hype abounds for self-publishing. Some of it is somewhat accurate, but many of the claims, while not necessarily false, are generally de-contextualized. We have friends and colleagues who have self-published books. While some of them are very nicely laid out and well-written, most can be easily discerned as self-published because of the quality. In one case, we were so appalled by the results of a friend who self-published through a vanity press, we offered to republish the book so that it had

  It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  This week we consider the frequently asked question, "I have written two books; do I need two publishers?" The answer, of course, is "that depends." The books are part of a series. If the books are part of a planned or ongoing series, then it is best to stay with the same publisher (unless, of course, something about how the publisher handled the first book was disappointing). Series need to have a similar look-and-feel among the books. That is easier to effect if the publisher is the same. Series also benefit from marketing that develops mailing lists of the earlier book(s) to promote the later books. If, however, the di

                                                                                                                    ( photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about choosing a publisher. Of course, you do choose a publisher, but also a publisher chooses you. It is a two-way affair. So, let's take each approach separately. How do you choose a publisher? Decide what you are looking for in a publisher. Do you want a large publisher with big pockets who might be able to get your book on the NYT best seller list, give you a large advance, or get you attention from a national television show? (You better have one whale of

Today's back story is about the book, Of God, Rattlesnakes, and Okra by J Bennett Easterling . From the publisher Years ago, I received a book proposal through the mail (yeah, pre-email). It was a memoir by a first-time author without much of a name recognition and a modest platform. It did not fit into what we typically published at that time, so I sent a letter informing him of that.  Somewhere, he initiated a phone call to learn more -- he wanted to know how decisions are made, where he could look, how he should search for a publisher, and the like. He was eager to learn -- and very personable. I wished we did publish in this genre, but we did not. Apparently, Bennett formed some sort of instant trust in me. Six months later, he excitedly sent me a contract for a self-publish contract. It was not a good contract, but he did not realize that. This time, I called him. I pointed out the bad provisions in the contract. Not only had he not realized how much the contract skewed towar

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses prolific authors as well as authors working on their second book. Who should publish subsequent books by an author -- the publisher of the first book or another publisher? This is not always a simple question, but there are simple ways to make a decision about where your next book gets submitted. Consider the following: What does your contract with your publisher say? Some publishers require authors give them the right of first refusal for any subsequent books. This is more especially true for novels than for nonfiction books. What your contract says you are beholden to d

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic looks at how editors view incoming submissions from authors and what you need to do to get past the first cut. In my experience, very few first-time authors do what is needed (or know what it is they need to do, or, in some cases, want to do it), and, hence, only about 10% make it past our first cut at MSI Press LLC.  What authors who want to be taken seriously need to is quite simple and, at least for us, quite clear. Believe it or not, some authors miss the boat on all these not-so-hard things: Individualize the submission. Like many publishers. we accept simultaneous submissions. Duplicate submissions

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses what happens to a book after an author dies. We have certainly had a number of authors, alas, die over the years. Each death has special circumstances, and generally each case needs a lawyer's involvement. The following examples of situations we have dealt with are simple examples of real life (and death) in action and do not set us up as having any kind of legal expertise; rather, we seek that expertise when needed. The one thing that all authors who die have in common is that copyright continues after death; it does not die with them. The question then falls to heirs and publishers as to

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses book scams. Unfortunately, new authors, especially those who are independently minded or who despair of ever finding a publisher, are ripe for the picking by scammers.  Some of the scams out there include: Publishing companies that are scams or rip-offs They often "steal" your work; they may publish it, but they do not pay you. Check out the publisher's history of paying royalties . They contact you, offering to publish your already published book along with some kind of award program or other enticement. When MSI Press LLC authors forward me letters they get from such scammers, I

  It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  Today's post addresses the topic of royalties. I suppose that topic was conditioned by the fact that the first quarter of the year is when MSI Press calculates royalties for the past year and gets ready to pay them out to authors. Of course, royalty issues should have been sorted out before a contract was signed, but if one is still pending, and for the future, perhaps some of the information here will help. Kinds of Royalties Royalties can be calculated on list or net. Royalties calculated on list are pretty easy to figure. It is generally a percentage of the selling price of the book, regardless of costs encountered in producing and ma