Precerpt from In with the East Wind: A Mary Poppins Kind of Life - Austria: Seefeld

 


Seefeld

Many years later, I took that train ride in reverse, as far as Seefeld. Once again, the east wind had blown me into Garmisch, and I had a day off. I contacted Johanna. Where could we meet somewhere between Innsbruch and Garmisch? Seefeld!

So, once again I looked out onto the large Alpine meadow with Wildsee, a lake, on one side and the town of Seefeld in the center. Johanna and Franz met me at the train station, and we leisurely walked to the lake. Being with Austrians, I expected to walk—a lot. The walk brought back the leisurely, healthy, so-very-desirable pace of life I have experienced in Innsbruck.

On the way to the lake, we came across a small, picturesque chapel in the meadows, Seekirchl little lake church, also called the Heiligkreuzkirche, or Church of the Holy Cross). Original construction in the 17th century explained its baroque style, featuring a distinctive round shape and dome quite unusual for Tyrol. The interior of the Seekirchl (Holy Cross Church) in Seefeld is small, intimate, and strikingly Baroque, with an octagonal floor plan, a column‑free dome, and a late Gothic crucifix from 1628 that has long been venerated as miraculous and has made the church a pilgrimage site. The open, airy, symmetrical feel to the interior compensated for the small size; I figured maybe a dozen worshippers could fit into easily int the space. Visible from inside through arched openings, a freestanding bell tower added to a sense of verticality. Throughout, stucco work and curved lines typical of 17th‑century sacral architecture formed a circular church, emphasizing the crucifix. Simple compared to larger churches, the altar highlighted the crucifix and votive purpose of the chapel. Built as a votive church under Archduke Leopold V, the interior reflects its role as a place of prayer and pilgrimage rather than grandeur. Seekirchl feels personal and contemplative. The dome and windows allow natural light to filter in, creating a serene glow that enhances the crucifix.

Historically, that crucifix stood in the middle of Kreuzsee, an artificial lake drained in 1808. This now nonexistent lake, not Wildsee, is the source of the name Seekirchl. The legend is that a pilgrim, standing before the crucifix, was forgiven, prompting Archduke Leopold V to build the votive church, a baroque jewel in an alpine meadow, evoking a deep feeling of serenity.

On we went to Wildsee, a natural Alpine lake, surrounded by moorland, forest, and mountain scenery. One of the defining features of the village, it features swimming and boating. We lingered there for a few minutes, inhaling the Alpine beauty and calm, and then moved on to town.

The streets of Seefeld’s pedestrian zone are paved with cobblestones and stone tiles, giving the town center that classic alpine village feel. That is what I first remember when I think about the town. Not rough medieval cobbles, but smoother, these patterned stones made walking easy while charming the eye with alternating stone colors or geometric patterns that guide the flow of foot traffic. Cars are restricted in the central zone, so the cobblestone streets lined with cafés, shops, and benches feel like a plaza. Walking those streets felt like stepping into a postcard: the stone paving, pastel‑painted houses with frescoes, and mountain backdrop all combined to make Seefeld’s center both quaint and vibrant. We ordered tea and pastries at one of the little cafes—darned if I can remember the name—time to relax, Austrian-style, after our walk.

One last stop. St. Oswald’s Church in Seefeld is the main parish church and a major pilgrimage site. It’s much larger than Seekirchl, built in Gothic style, and historically tied to the famous “Miracle of the Host,” which drew pilgrims from across Europe. The interior is spacious, designed to accommodate a congregation, with soaring arches, stained glass, and a sense of solemn grandeur. Where the Seekirchl feels like a jewel box for personal prayer, St. Oswald’s is a monumental space meant to inspire awe and host the wider community. I found the story of the miracle fascinating. In 1384, Count Oswald of Seefeld (not St. Oswald of Northumbria, but a local nobleman) attended Mass at the small chapel that stood on the site before the current church. During Communion, he arrogantly demanded a large priest’s Host instead of the small one given to laypeople, insisting on equality with the clergy. As the priest reluctantly complied, the altar miraculously sank into the ground and melted, leaving a mark that pilgrims venerated, and the Host became immovable, a divine sign rebuking Oswald’s pride. (In some versions of the story, the Count grabbed onto the altar to steady himself as it melted, permanently imprinting his fingerprints in the original altar.) The Count was struck with terror, begged forgiveness, and died soon after. (In some versions of the story, the count mended his ways and helped the poor for some time before dying.) Because of the miracle, the small chapel and whatever was left of the original altar was replaced by the much larger St. Oswald’s Church, which became one of Tyrol’s most important pilgrimage sites. The church’s dedication to St. Oswald of Northumbria, a 7th century warrior-king who became a Christian saint, symbolically linked the miracle to humility and faith, contrasting the arrogance of Count Oswald.

Seefeld’s downtown neighbors the train station. So, we were right back where we started in just minutes, and soon I was back on the train, headed north back to Germany after a brief, refreshing interlude with my Austrian friends and one more interaction with Austria and die Alpen, a lovely place indeed. 



 From the forthcoming book:

In with the East Wind...A Mary Poppins Kind of Life
Volume 1: ABC Lands

by Dr. Betty Lou Leaver



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