MSI Press Blog

(photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about book launches. A book launch, planned and carried out well, is a great opportunity to introduce and market your book to a large number of people. So, what are the ways books can be launched? What is the best way to launch a book? What are the benefits and risks of various kinds of book launches? So, let's take each question separately. What are the ways in which you can launch your book? A typical launch for a high-powered author is a tour of bookstore signings; a typical launch for a low-powered author is a book signings at one, perhaps two, local bookstores.  High-powe

  (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about the publication process itself. You have a manuscript in hand, now what? There are several stages. So, let's take each stage separately. Stage One. Completion of the Manuscript You have finished writing the manuscript and have carefully proofread it, but you are NOT ready to move to Stage Two. There are a few things you need to do first. If not done, this is the stage that often dooms a manuscript never to move to Stage Two and on into becoming a book. You proofread, right? For what did you proofread? Spelling? Ran it through the spellchecker? Certain your own eyes wil

It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses how authors can sell their books. After all, it makes no sense to put all the effort into writing a book, self-publishing it or getting it published, and then having it sit on a shelf for ever, with no opportunity for it to share its message. Unfortunately, many, if not most new authors, in our experience, never think beyond the day their book appears in print (or, in some cases, beyond their first month of book launch activities). They assume that, of course, they did the work of writing the book, and the publisher will do the work of marketing the book. It does not work that way, and marketing

It is Tuesday. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side.  Today's topic shares some real-life cases (book titles and author names changed, of course) of authors and would-be published authors lost contracts, from before being offered one to even after a book was published. They can serve as warnings of what not to do and, in converse, what to do in trying to secure -- and keep -- a publishing contract . Before being offered a contract (case: Developing School Discipline by Gordan Cruikshank): Arrogance. This attitude is perhaps the primary turn-off to an author being offered a contract even when the publisher is otherwise even very interested in the book. Remember, publisher and author working t

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. (Much also applies to traditionally published authors whose books have not been on a perfect glide path upward to success.) Today's topic reflects a reality experienced by all but a very few authors who have recognized names, expansive contacts, big pockets (or big publishers with deep pockets), or, for one reason or another luckily found a sweet spot (typically after years of being in bitter places). Most books do not start out as NYT bestsellers and remain there for life. They either start well and fall off (usually quickly), start slowly and remain with slow and then almost no sales, or start very poorly and then ta

  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would What at least like to take their steps with a publisher by their side. Today's topic arises from a discussion last week with an author whose cost of book returns brought an otherwise successful book into the negative net income (i.e.) loss realm. Our conversation revolved around several questions that arose from her discussions with her local bookstore.  Why/how do returned books create loss for an otherwise successful book? A large number of returns can eradicate all profit from the book sale and put the book into the loss column on a P&L statement: print costs will not have been recoupled; additional books have now been returned to the publisher's inventory, books that wer

  Because we work with first-time authors, we are exposed to some "interesting" ideas about how best to promote a book. Reality is often counterintuitive to assumption, perception, and imagination. Let's look, then, at reality. What new authors often expect from promotion--and why they are either unrealistic or undesirable or both:  Book tours from city to city; one new author asked if we would be flying her around the country on a private plane (honest to goodness, she really expected that although she was an unknown person with a first book). Clearly, city book tours do occur--but for people like Dog the Bounty Hunter, not for Joe Blow in Smalltown, America with no platform. The name of the author is what attracts people to these tours, not the title of the book.  Book tours like this -- and we have had some authors do them, usually with the help of a publicist -- are generally a dollar-losing proposition; however, if you can afford the cost, have other things to do in