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Daily Excerpt: Typhoon Honey (Girrell & Sjogren) - Defining Transformation

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  Excerpt from Typhoon Honey (Girrell & Sjogren) -  Defining transformation The nature of everything in this world we know of and in which we live is change. Nothing is static and immutable—nothing. Neither concrete buildings nor stones. Not mountains nor oceans. Nothing lasts forever without changing. Not only is everything in a constant state of flux (though admittedly at different rates and speeds), but the nature of those changes is purely chaotic. The universe is chaos that moves in patterned forms which we call fractals (self-repeating patterns). So when we begin to talk about change and what change is, we start with the idea that change is natural and continual.   This is no new concept. The ancient sages observed changes happening around them and sought to understand the nature of change and changing systems more than three thousand years ago. The “Book of Changes,” called the I Ching , is probably the most widely known of the systems for understanding change. Presumably c

Cancer Diary: Iconize, Minimize, or...? Moving On in Little Ways

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  When Carl first died, a friend sent me a little book, wonderful in its pragmatism and understanding of the immediate-after-death emotions and psyche. That book pointed out that widows (or widowers) have a tendency to turn the former spouse into an icon. (Well, some of them do, anyway, and that, according to the little booklet, makes it difficult to move on or even to maintain a normal range of sanity. I realize that I was doing just that -- not wanting to change anything in the house or how anything. I also put a picture in every room. Reading that booklet, I realized that I was indeed iconizing Carl. In an opposite manner, some people, perhaps many people, completely change their life and lifestyles after the death of a spouse. This was clearly expected of me. I cannot begin to count the number of real estate agents who contacted me for the first weeks and months after Carl died, offering to sell the house for me. I guess that would be a form of minimization. I had no desire to sell

Guest Post from Dr. Ortman: Change of Heart

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  CHANGE OF HEART “I will give you a new heart and place a new spirit within you, taking from your bodies your stony hearts and giving you natural hearts.” --Ezekiel 36: 26   “I hate change!” If I received a dollar for every time a patient said that to me, I could work for free.   They often add, “Change replaces the familiar with the unknown. The unknown scares me.” In response, I remind my anxious patients, “If there is no change, you are dead. The future is always unknown, of course, because it does not yet exist. You are now in the process of creating your own future.” I also ask them,”Why are you here meeting with me, except to change?” They tell me how miserable they feel and powerless to do anything about it. Frightening change is the price of relief. Therapy is for healing and growth. Some of my patients imagine that their trying life circumstances cause their distress. In our work together they learn that only changing their minds and hearts, their outlooks, atti

Daily Excerpt: Joshuanism (Tosto)

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  excerpt from Joshuanism   by Tosto -  The post/Christian God A profound moment in my journey to seek and know God took place in an art gallery. I was in Seattle, visiting a friend of mine. I had some free time, and John had some free time, so I decided to fly out and kick it in the Emerald City for a few days. This was during the height of my Christian experience when I was still green behind the ears and miles away from questioning any of the marvelous things I believed. In fact, I was working at a church at the time, directing the music and worship ministry. The trip west was a welcome diversion. John and I were strolling through the gallery, surveying the local talent, when a curious painting caught my attention. John went over to ask the docent something, and I stood in front of the unusual painting, studying it deeply. The painting, you see, was titled God . But the painting itself was quite simple. The artist only used two colors: a purple sphere on a black background. That was