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A Publisher's Conversation with Authors: Is the Publisher Who Is Making Me an Offer Legitimate?

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  It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic addresses the problem of scammers trying to take advantage of authors and their desires for better sales and recognition. Sometimes these come by email, sometimes by phone. There are some tip-offs when you are dealing with a scammer -- and typically the phone calls are from scammers. Legitimate marketers and publishers do not have time to make a lot of cold calls, and they are too busy fielding requests for services to go hunting down authors and offering services. Here are some indications that have been discovered by a scammer: You are being offered a publishing contract, but your book is already publi

A Publisher's Conversations with Authors: Avoiding Disappointment in Choosing a Publisher

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                                                                                                                    ( photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is about choosing a publisher. Of course, you do choose a publisher, but also a publisher chooses you. It is a two-way affair. So, let's take each approach separately. How do you choose a publisher? Decide what you are looking for in a publisher. Do you want a large publisher with big pockets who might be able to get your book on the NYT best seller list, give you a large advance, or get you attention from a national television show? (You better have one whale of

A Publisher's Conversation with Authors: Why Traditional Publishers Generally Will Not Take On a Self-Published Book

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    (photo by Frank Perez) It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is--for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic is  about taking a self-published book to a traditional publisher in hopes of getting a contract.  At least a couple of times a month, a self-published author approaches MSI Press with a proposal to republish his or her self-published book. They all seem to think that their  poorly selling self-published book would soar to best-seller status if only a traditional publisher would take it on or that their self-published book with modest sales would not thrill a publisher by how many sales had been made or had many polite reviews simply re-stated the content and refrained from sayin

A Publishers Conversation with Authors: Should I Take That Marvelous Offer for Help with Book Promotion That Happened to Find Its Way into my Mailbox?

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            It is Tuesday. Time to tall turkey. Monday's madness is over, and Wednesday will take us over the hump, so Tuesday it is for some serious discussion with authors. Tuesday talks mean to address authors in waiting and self-published authors who would like to go a more traditional route or who would at least like to take their steps with a publisher by their side. Today's topic  is a response to the question I get from time to time from our authors: "I just got an unbelievably good offer for X in the email; should I take it?" The quick answer is "maybe." Not all unsolicited offers are scams.  How, not all offers are genuine, and some that are genuine might not be good for you and your book.  What you need to do is analyze the offer in light of your own circumstances. You should answer NO when: the offer is a scam (Google it -- or ask your publisher); Science Fiction Writers of America also keeps a list of scams and shares information through its bl

A Publisher's Conversation with Authors: Self-Publishing (Excerpt from Publishing for Smarties: Finding a Publisher)

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  Excerpt from Publishing for Smarties: Finding a Publisher Why Would You Want To Self-Publish  As an acquisitions editor for a small publisher, I have sometimes received proposals that clearly indicate that an author would be better off self-publishing. Typically, just one or two exchanges with that author will make that preference clear. Such authors will want full control of the book—cover, title, release date, size of the book, and the like. They will often even say something like, “I can take care of the editing; I just need the press to do the marketing.” Well, frankly, the industry does not work that way. Any press that is going to market the book is not going to turn over full control to an author, and any author that thinks he or she can manage full control in a quality fashion is clearly a neophyte. If an author cannot detach himself or herself emotionally from the “baby” (the proposed book), then no kind of functional working relationship will be able to be buil

Tuesday's Tip for Language Learning #30: Cognitive Styles

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  Excerpt from  Think Yourself into Becoming a Language Learning Super Star Cognitive Styles A few cognitive styles have bee referred to and defined earlier (or footnoted). There are many kinds and systems of understanding cognition that have been proposed over the past 3-4 decades. The one I use in this book is the E&L Cognitive Style Construct (Ehrman & Leaver, 2002; Leaver, 2019). I have chosen it principally because it encompasses many other systems—the reason it was designed: to simplify the proliferating models floating around academic programs. [1] For this book, it provides an easy overview of styles because the E&L subordinates ten subscales [2] to two overarching categories, which make it easier and simpler to use as a first-step instrument. Cognition refers to the way people process information. After perceiving new information (through one or another sensory preference), a learner must process it, encoding it for memory. The effectiveness of how that is done